GRAND HOTEL, 2019
“Tiffany Howard’s costume designs are perfect for each unique character and time period. There is plenty of fringe, dramatic hemlines, and sparkle to capture the elite having the time of their lives during the roaring ’20s in Berlins.”
Broadway World
GREASE, 2019
“…but the visual pièce de résistance is Tiffany Howard’s costumes – the guys’ obligatory black leather jackets and girls’ endlessly varied dresses. (The vintage pattern, fabrics, and colors are irresistible, not to mention those baby doll nightgowns.)
Ithaca Times
HOLIDAY INN, 2018
“…it’s the costumes by Tiffany Howard…that take your breath away: scene after scene features this cast of 23 in different styles, colors, and details of outfits. I can’t recall when I’ve seen so many costume changes, and Howard outdoes herself with the dance ensemble. Whether ’40s shorts for the July 4th number or jewel-tone ball gowns, the effect is dazzling and delicious.”
Ithaca Times
BEEHIVE, 2018
“Howard’s costumes effortlessly transition whether between musical numbers or in the middle of one.”
Broadway World
MAMMA MIA, 2018
“Tiffany Howard creates a carnival with costumes, from the raspberry-and-orange sherbet attire of the wedding guests to the bell-bottomed frippery of the infamous outfits worn by “Donna and the Dynamos” reprising their youth.”
Ithaca Times
GUYS AND DOLLS, 2017
“Tiffany Howard’s colorful costumes honor those flashy cheap men’s suits as well as girls’ ultra-feminine dresses, both snaky and bouffant. And the chorines’ scanty attire somehow blends sweetness and sexuality.”
Ithaca Times
ALWAYS…PATSY CLINE, 2017
“Costume designer Tiffany Howard has a luscious period gown change for every number, meaning that the Rev’s production of Always…Patsy Cline is more glamorous than was the actual Patsy…”
Syracuse New Times